Encyclopedia Masonica

The imaginary idol, or rather the symbol, which the Knights Templar under Grand Master DeMolay were accused of employing in their mystic rites. The forty-second of the charges preferred against them by Pope Clement is in the' words:

Item quod ipsi per singulas provincias habeant idola: videlicet capita qourum aliqua habebant tres facies, et alia unum: et aliqua cranium humanum habebant; meaning, also, that in all of the provinces they have idols, namely, heads, of which some had three faces, some me, and some had a human skull.

Von Hammer-Purgstall, a bitter enemy of the Templars, in his book entitled The Mystery of Baphomet Revealed this old accusation, and attached to the Baphomet an impious signification. He derived the name from the Greek words, baptim, and supreme wisdom, the baptism of Metis, and thence supposed that it represented the admission of the initiated into the secret mysteries of the Order.

From this gratuitous assumption he deduces his theory, set forth even in the very title of his work, that the Templars were convicted, by their own monuments, of being guilty as Gnostics and Ophites, of apostasy, idolatry, and impurity. Of this statement he offers no other historical testimony than the Articles of Accusation, themselves devoid of proof, but through which the Templars were made the victims of the jealousy of the Pope and the avarice of the King of France.
Others again have thought that they could find in Baphomet a corruption of Mahomet, and hence they have asserted that the Templars had been perverted from their religious faith by the Saracens, with whom they had so much intercourse, sometimes as foes and sometimes as friends. Baphomet was indeed a common medieval form of the word Mahomet and that not only meant a false prophet but a demon. Hence any unholy or fantastic ceremonies were termed baffumerie, mahomerie, or mummery.

Nicolai, who wrote an Essay on the Accusations brought against the Templars, published at Berlin, in 1782, supposes, but doubtingly, that the figure of the Baphomet, figura Baffometi, which was depicted on a bust representing the Creator, was nothing else but the Pythagorean pentagon, the symbol of health and prosperity, borrowed by the Templars from the Gnostics, who in turn had obtained it from the School of Pythagoras.

King, in his learned work on the Gnostics, thinks that the Baphomet. may have been a symbol of the Manicheans, with whose wide spreading heresy in the Middle Ages he does not doubt that a large portion of the inquiring spirits of the Temple had been intoxicated.

Another suggestion is by Brother Frank C. Higgins, Ancient Freemasonry ( page 108), that Baphomet is but the secret name of the Order of the Temple in an abbreviated form thus: Tem. Ohp. Ab. from the Latin Templi Omnium Hominum Pacis Abbas, intended to mean The Temple of the Father of Peace among Men.

Amid these conflicting views, all merely speculative, it will not be uncharitable or unreasonable to suggest that the Baphomet, or skull of the ancient Templars, was, like the relic of their modern Masonic representatives, simply an impressive symbol teaching the lesson of mortality, and that the latter has really been derived from the former.

The Encyclopedia Masonica exists to preserve the wealth of information that has been generated over the centuries by numerous Masonic authors. As Freemasonry is now Speculative and not Operative, the work of a Mason is now conducted in the quarries of symbolism, literature, history and scholasticism. Freemasonry encourages intellectual exploration and academic achievement in its members and many Masons over the years have taken up this calling. The result has been that an incredible amount of philosophy, symbolic speculation and academic insights have been created. However, as Freemasonry teaches, human knowledge is frail and fragile. It is easily lost in the turnings of the ages and unforeseen catastrophes can result in great setbacks to human knowledge.

For too long these great works have sat on forgotten shelves, gathering dust and concealing the light that could be shed on the darkness of our ignorance. The Encyclopedia Masonica has been created to act as an ark, sailing through time, to ensure that future generations of Freemasons have access to the same knowledge that inspired the Brethren that came before them. It will contain the works of such Masonic Luminaries as Albert G. Mackey, Manly Palmer Hall, G.S.M. Ward, Albert Pike and many others. The Encyclopedia Masonica is a living work and the volunteers of Universal Co-Masonry will continue to labor until the most comprehensive Masonic reference work the world has ever seen has been created. The Encyclopedia Masonica is open to any who wish to use it and will remain open so that the treasures contained within may increase the wealth of all those who seek its wisdom.