American Masons have a fondness for Harold Bayley's two books which English Masons might find it difficult to explain; at least so it would be guessed from comparing the circulation of them here with their circulation there. Perhaps it is because he has let a fresh, new light into Masonic symbols, and done so with no pseudo-occultistic obscurantism (a thing for which American Masons have no stomach, even if it is published in A. Q. C.) perhaps it is because with short, bold brush strokes he makes intelligible to us Americans what doubtless already is familiar to Europeans.
He writes about the Albigensians and the Huguenots, who carried on a sort of Protestant underground movement for many years, in regions where any deviation from strict Roman Catholic orthodoxy was examined by the Inquisition and punishable by burning. These men were, many of them, makers of paper, which they produced in little water-driven mills, in far-off places among the hills. They had modes of recognition, passwords, tokens, secret words, etc., by which they sent messages here and there. After they discovered how to lay in watermarks in the sheets of paper they sent out to the cities they turned the marks into symbols, which would "be understanded" by their friends and sympathizers and would thus help to keep certain ideas alive. I t is about these fraternities, or half-fraternities, their secrets and their symbols, that Mr. Bayley writes in A New Light on the Renaissance; J. M. Dent & Co., London; and The Lost Language of symbolism; J. B. Lippincott; New York; 1913. The latter has many references to Freemasonry in chapters on Searching for the Lost, Theological Ladder, King Solomon and Pillars, All-Seeing Eye, Tree of Life, Clasped Hands, etc. (It can be remembered in connection with these books that Dr. J. T. Desaguliers, architect of the first Grand Lodge, was a Huguenot refugee. ) Brother Frederick Foster's essay on "The Due Guard" which he contributed to The Treasury of Masonic Thought (compiled by George M. Martin and John W. Callaghan; David Winter & Son; Dundee; 1924), was based on Bayley's works.
The Encyclopedia Masonica exists to preserve the wealth of information that has been generated over the centuries by numerous Masonic authors. As Freemasonry is now Speculative and not Operative, the work of a Mason is now conducted in the quarries of symbolism, literature, history and scholasticism. Freemasonry encourages intellectual exploration and academic achievement in its members and many Masons over the years have taken up this calling. The result has been that an incredible amount of philosophy, symbolic speculation and academic insights have been created. However, as Freemasonry teaches, human knowledge is frail and fragile. It is easily lost in the turnings of the ages and unforeseen catastrophes can result in great setbacks to human knowledge.
For too long these great works have sat on forgotten shelves, gathering dust and concealing the light that could be shed on the darkness of our ignorance. The Encyclopedia Masonica has been created to act as an ark, sailing through time, to ensure that future generations of Freemasons have access to the same knowledge that inspired the Brethren that came before them. It will contain the works of such Masonic Luminaries as Albert G. Mackey, Manly Palmer Hall, G.S.M. Ward, Albert Pike and many others. The Encyclopedia Masonica is a living work and the volunteers of Universal Co-Masonry will continue to labor until the most comprehensive Masonic reference work the world has ever seen has been created. The Encyclopedia Masonica is open to any who wish to use it and will remain open so that the treasures contained within may increase the wealth of all those who seek its wisdom.
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