In the great Temple, usually known as the Ocean Banner Monastery, at Honam, a suburb of Canton, China, we find four colossal idols occupying a large porch, each image being painted a different color. Ch'i-kwoh, who rules the north and grants propitious winds, is dark ; Kwang-muh is red, and to him it is given to rule the south and control the fire, air, and water; To-man' rules the west, and grants or withholds rain, his color being white; while Chang-tsang, whose color is green, rules the winds and keeps them within their proper bounds, his supreme control being exercised over the east. The old custom of associating colors with the four quarters of the globe has probably led to the habit of describing the winds from these respective points as possessed of the same Colors. The fifth, the earth, the central remaining point, still is conjectural. Thus, we also find in China a set of deities known as the five rulers; their colors, elements, and points may be thus represented as in the table.
Black ..... Water ..... North
.... Back
Red ........ Fire ........ South .... Breast
Green ..... Wood .... East ....... Mouth
White ..... Metal .... West ...... Knee
Yellow .... Earth .... Middle ... Foot
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